Afterimage: The Films of Singapore’s Royston Tan, March 17 - March 20, 2013

Berkeley Art Museum and Pacific Film Archive

International art-house favorite and so-called “bad-boy” of Singaporean cinema Royston Tan introduces three of his films and joins us on March 20 for a conversation with local artist and critic Valerie Soe following a screening of 15.



Summoning Ghosts: The Art of Hung Liu, March 16, 2013 - June 30, 2013

Oakland Museum of California

The exhibition Summoning Ghosts: The Art of Hung Liu is the first comprehensive survey of the artwork of Hung Liu—one of the most prominent Chinese painters working in the United States today. Featuring approximately 80 paintings, as well as personal ephemera such as photographs, sketch books, and informal painting studies from private and public collections around the world, the exhibition celebrates Liu's career accomplishments and includes work completed in China before the artist arrived in the U.S.



The Center for Asian American Media (CAAM) Fest, March 14 - March 24, 2013

CAAM presents CAAMFest (formerly the San Francisco International Asian American Film Festival, or SFIAAFF) every March. CAAMFest is the nation’s largest showcase for new Asian American and Asian films, annually presenting approximately 130 works in San Francisco, Berkeley and Oakland. Since 1982, the festival has been an important launching point for Asian American independent filmmakers as well as a vital source for new Asian cinema.



Amir H. Fallah: The Collected, March 14, 2013 - April 27, 2013

Gallery Wendi Norris

By going into people’s homes and collecting and arranging the knick-knacks, figurines and other objects that will appear alongside his subjects in his portraits, Fallah has been both obstructing and perpetuating the history of portraiture and patronage.



Shih Chieh Huang: Synthetic Seduction, March 1, 2013 - June 30, 2013

Yerba Buena Center for the Arts

Shih Chieh Huang creates sculptural ecosystems using computer parts and common objects, such as plastic bags and bottles, which he animates in installations that mix a machine aesthetic with an organic impulse. Gathering inspiration from marine biology, Huang explores bioluminescence and its role in seduction and reproduction in the deep sea.



The Moment for Ink: Shaking off tradition, February 23, 2013 – May 18, 2013

Chinese Culture Center

Coloring far outside the lines of traditional ink-wash painting, works by eight equally diverse contemporary artists explode the once- staid genre in The Moment for Ink, an exhibition opening on February 23 at the Chinese Culture Center of San Francisco.



China's Terracotta Warriors: The First Emperor's Legacy, February 22, 2013 - May 27, 2013

Asian Art Museum

The exhibition features 120 rare objects from the great tomb complex of China’s First Emperor (259-210 BCE), including 10 life-size terracotta figures—the maximum number of figures permitted outside China in a single exhibition. Captivating the world since its discovery in 1974, the First Emperor’s tomb complex is one of the largest burial sites ever constructed. Estimated at nearly 250,000 square feet—or more than four American football fields—it includes a scale replica of the emperor’s imperial palace, complete with stables, offices, an armory and even a zoo. Ancient historians also described “flowing rivers” of mercury, of which trace amounts have recently been confirmed by scientists.



New Stories from the Edge of Asia: This/That, February 21, 2013 - September 15, 2013

San Jose Museum of Art

In video, film, multimedia works, photographs, and performance art, these artists conjure temporary identities that reflect the precarious balance between different worlds. Erica Cho, Mike Lai, Candice Lin, Mail Order Brides/M.O.B., and T. Kim-Trang Tran.



Apichatpong Weerasethakul / MATRIX 247: Emerald, February 15, 2013 - April 21, 2013

Berkeley Art Museum and Pacific Film Archive

As three ghostly voices share their stories, Apichatpong Weerasethakul’s 2007 video installation Morakot (Emerald) lingers on dust, light, and memory in the empty rooms and hallways of a defunct Bangkok hotel. The Morakot Hotel was a haven for Cambodian refugees fleeing the Vietnamese invasion in the 1980s.



Eye Level in Iraq: Photographs by Kael Alford and Thorne Anderson

de Young Museum

This exhibition presents the photographs of Kael Alford (American, b. 1971) and Thorne Anderson (American, b. 1966), two American-trained photo journalists who documented the impact and aftermath of the US-led allied invasion of Iraq in 2003. They made these photographs during a two-year span that began in the months leading up to the allied invasion in spring 2003 and covers the emergence of the armed militias that challenged the allied forces and later the new central Iraqi government.



Rising Dragon: Contemporary Chinese Photography, February 2, 2013 - June 30, 2013

San Jose Museum of Art

The first twelve years of the 21st century have seen astounding social and economic transformation in China. This exhibition showcases images by Chinese photographers working in their homeland during this period.



Facing Two Directions: A Japanese Painter Looks to China, January 30, 2013 - March 24, 2013

Berkeley Art Museum and Pacific Film Archive

A magnificent pair of screens painted in ink on an unusual background of silver and gold by Sakaki Hyakusen (1697–1752), the founding father of Nanga (Southern School) painting in Japan, presents a shimmering vision of a watery landscape. The screens display elements that are unusual at this early point in Nanga painting—precise brushwork, detailed treatment of foreground elements, and the incorporation of spatial effects to produce atmosphere—revealing Hyakusen’s surprising mastery of Chinese painting technique.



Himalayan Pilgrimage: Sacred Space, December 5, 2012 - May 26, 2013

Berkeley Art Museum and Pacific Film Archive

The third and final rotation of Himalayan Pilgrimage explores the theme of Sacred Space with a pair of magnificent large mandala paintings, two-dimensional representations of a three-dimensional architectural space where a specific deity resides. Dating to the fourteenth and sixteenth centuries, these paintings represent, in vivid colors, a cosmology of the deity Hevajra. Several other paintings on view depict historic teachers of various Tibetan orders.



Batik: Spectacular Textiles of Java, November 2, 2012 - April 28, 2013

Asian Art Museum

Few art forms are so strongly associated with a particular region as batik is with Indonesia. Although the technique of patterning cloth through the application of wax is known in other parts of the world, in Indonesia—especially on the island of Java—this art form has reached the highest level of complexity.